Showing posts with label Retro malayalam movies. Show all posts
Showing posts with label Retro malayalam movies. Show all posts

Thursday, 17 July 2014

Rewinding to April 18, 1984

Courtesy: youtube.com


A short story written by a friend, set me smiling, taking me back to those days of childhood bliss. April 18! The very name set me on a pleasant walk down memory lane...

It was a weekday afternoon in Dubai. I was probably 6 or 7 years of age, back then. The lad, clad in the tight shirt and bell bottom pants whom we children called cassette uncle, was at the doorstep handing out a cassette with great confidence.

"Chechy, it is Balendran Menon's", he advertised to mummy.

The look on his face told me instantly that mummy would surely rent out that one. I still remember mummy's face brighten up on reading the title written out bold across the white sticker on the tape.

"Oh! It's April 18. Heard of this one. Is it good?", asked Amma maintaining her poise.

"It's a hit!", he exclaimed.

Money out. Cassette in. Business done. Cassette uncle gone. Door shut.

Our VCR was still new and playing cassettes at home was a novel idea. An excited me asked, "Shall we watch it Amma?"

The request was declined. My mother retired for her afternoon nap after having declared that we would watch it during dinner. That verdict meant that the movie should be a good one. The movies tagged as good ones would be previewed only with the whole family in sitting. The ones that weren't a sure shot had chances of going through a preview of sorts. The pretext that flew in the air at such instances were that, the brief screening was to understand the cast and crew, etc.

However, that afternoon I decided to take a chance. Having sneaked into the bedroom to make sure my mother was asleep, I loaded the VCR with the cassette. For the benefit of the new gen, cassettes had to be re-winded so that you could watch a flick from the beginning. But since childhood adventures had time constraints, I simply opted to play it. I saw a vertical white sari and a guy (I presumed he would be the hero) sitting on the floor tugging at it, saying, "Ninte oru samayam". Since he didn't look familiar, my adventurous spirit fizzed out. The cassette went back into its cover and I probably opted for the afternoon nap.

Over tea, mummy shot out the good news about the movie we got lucky with. I still don't know how she did it with such calm. "Oh then we'll say our prayers earlier than the usual time and watch it during dinner.", declared daddy. Now it got exciting again. Something to watch during dinner time - something other than the boring 10 'o' clock news.

Prayer time - The cassette was set to rewind while we prayed. I could hardly pray. My ears were tuned, waiting for the feeble 'tak' sound that the machine would give out indicating that the cassette was done rewinding. And in my opinion, there was an ocean of prayers yet to be chanted. And then, daddy had to shower - such a long way to go...

Finally, after what seemed to me like an eternity, it happened! The play button was given command...

Daddy and mummy giggled and laughed. They commented. They agreed. They disagreed. And me? I mimicked them - I didn't understand much whatever it was that was happening on screen. I liked a dance though and swore I'd perform that on stage once, with the same costume. The movie should have been a good one because mummy and daddy seemed to like it. A few hours later, an uncle and aunty hugged on screen and something got written across their face. The movie had ended - thank God I understood that much! "Very nice movie.", said mummy; and daddy nodded in agreement. I also agreed, completely in awe of my parents - God! They know everything. They know a good movie from a bad one. Now that they said it, I was sure that the one we just saw was a good one.

I don't remember what happened of cassette uncle and I don't know how this cassette got stranded at home. But, I do know that I got habitual of seeing this movie time and again. Gradually, I realized that it was indeed a feel good movie. I learned that it wasn't Balendran Menon's movie, but Balachandran Menon's movie. I learned the dance and the song. I knew all the dialogues by heart - scene by scene. I even wished I was playing the role of Shobana. Never saw the movie after I left Dubai in 1993.

Watched the movie on YouTube again this week. Here I was watching this flick 30 years later, giving out each and every one of those dialogues - scene by scene - as and when they appeared on screen. The diction, to my surprise, was strikingly in sync with that of the actors. Loved the experience!

Today, I understand that the movie is indeed a good one. Simple story line and neat performances.

April 18 narrates the tale of Sub Inspector Ravikumar Pillai, played by Balachandran Menon himself. The film balances out the personal and professional life of this policeman. It's all simple and realistic in this one - no strain.

This movie debuted a 13 and half year old girl to play the role of the SI's wife - Shobana. And what an impressive performance it was for a 13 year old! Another actor worth mentioning is Unni Mary as Rajamma. I admit that I haven't seen all of the movies she's acted in, but, from the few that I have seen I think this was a solid performance - a typical Christian house wife of the times. Like I said before, each and every actor has done justice to their role. Whether it was Adoor Bhasi, Venu Nagavalli, Bharath Gopi, Adoor Bhavani, Sukumari or even the junior artists - I wouldn't imagine anybody else in the roles they played.

By now, I am hoping you would have understood that the movie is a personal favorite for no phenomenal reason. But as I write this post, my mind does ponder on whether I want to mark any part of the movie as a favorite scene...

As a child I didn't understand anything more than an uncle addressing his wife as kutta... kutto... and I really liked the feel of it.

As a teenager, I thought I understood all of it. The term navamukulangal, often came to my mind like a flash card and set me giggling whenever I attempted writing out a speech, back in those days. I refused to believe that it was Unni Mary who played Rajamma because I didn't like Unni Mary but I liked Rajamma. I completely agreed when she tells her husband, "Penungalkkum oru vela vendayo?" I loved the scenes where Ravikumar teases his wife, reprimands a child at the police station and felt wow when he resigns from his duties. Whenever the air conditioner was switched on, I even tried sniffing the air to see if it does have a stink.

As an adult, I understand that I hardly understood anything in my teens. The final court scene stole my heart. When Ravikumar says, "Separate us.", I felt touched, because I knew what he meant and the explanation he gives didn't just justify my thoughts but was extremely heartfelt.

The beauty of April 18 is that it doesn't show a flawless marriage at any point and yet we vouch for them as a couple. 


Priyappetta Shri. Balachandran Menon-nu Oru Thuranna Kathu - one of the short stories by Mr.Mahesh Ravi in his recent collection Ethir Disha was what set all these memories rolling. Thank you Mahesh Ravi for bringing in so much of nostalgia...


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Tuesday, 6 May 2014

Mammootty in a Comic Role

Courtesy: en.wikipedia.org/

Once they became established actors, Malayalam movies for a long time, were termed as either Mammootty's movies or those of Mohanlal's. They, undoubtedly, have had quite a tenure in the Malayalam film industry. "Mohanlal's a versatile and natural actor... Mammootty can't do comedy." are among the zillion comments that I have heard in my growing up phase.

I remember that it was more than a mere oft repeated statement - it was a belief. This mental verdict also discussed that it was Mamootty's sophisticated looks that failed him when it came to comedy. I tell this with conviction because when I watched Pranjiettan and the Saint, I caught myself commenting that Mammooty has improved so much - he's done great comedy.

Was that actually true? Was Mammooty really bad at comedy all along?

In his interview with Johnny Lukos (Manorama News), he mentioned that he was known for mimicry and stuff in college and that this impression about him is a by product of the fact that in most of his earlier films itself he had family, kids, etc. Probably...

For fun sake, I took a peek to check if Pranjiettan was indeed his only comedy that I ever enjoyed. My mental exercise gave me quite a few movies which I thoroughly enjoyed. Since this isn't a research attempt, I did not dig in more than I had to. So, here's discussing a few of Mammootty's comic appearances which I have found hilarious...

1. Film: Nandi Veendum Varika
    Year: 1986
    Director: P.G Vishwambaran
   Character: Mohandas (A parallel college lecturer turned Sub Inspector of Police)
I couldn't find how this film fared at the box office, which probably is in itself an evidence to the fact that it didn't do all that well. But, his performance is undoubtedly excellent. I have memories of this movie giving me ample to laugh when I was young. I watched it again recently to recheck. Mammooty's subtle expressions did its magic...





2. Film: Kottayam Kunjachan
    Year: 1990
    Director: T.S Suresh Babu
   Character: Title Role (A thug who strives to live a good life)

Kunjachan has made me laugh when I was 13 and he makes me laugh each time I see the movie. His dialogue delivery, mannerisms and even fighting techniques in this movie are hilarious!




3. Film: Rajamanikyam
    Year: 2005
    Director: Anwar Rasheed
   Character: Bellary Raja (an illiterate but extremely rich and gaudy business man)

This movie is extremely stereotype and is absolutely predictable. If it grossed a good 27 crore, the main contributing factor would be the witty dialogues and Mammooty's performance. Bellary Raja, in my opinion, would have fit Mohanlal effortlessly. However, I do believe that the profit the movie made owed a lot to the fact that the crowd judged it as an exemplary performance solely because it came from Mamootty.




4. Film: Loudspeaker
    Year: 2009
    Director: Jayaraj
   Character: Philippose aka Mike (an extremely loud simpleton with a splendid sense of       humor)

This movie has barely few instances of comedy owing to situations. In my opinion, Philippose aka Mike, is not just the backbone of the movie; he is what makes you smile and chuckle. He makes you want to believe in the simple things life brings your way.




5. Film: Pranjiettan and the Saint
    Year: 2010
    Director: Ranjith

   Character: C.K Francis aka Aripranji (a successful buisness man based in Thrissur)

I'd like to wind up my post with my personal favourite. Out of all the Mammootty starrer comedies that I have seen, the one that I have loved the most so far is Aripranji. I love the way Mammootty has balanced out the dignity of a high class business man and at the same time portraying all those insecurities he has within him. Love the expressions - phenomenal performance!



Neither am I part of anybody's fan club nor am I biased about either Mammootty or Mohanlal. I am of the opinion that both of these superstars have had their share of successes and failures. This post is simply a self reminder that one may never want to judge a book by its cover... 

Friday, 14 March 2014

Movies That Touched My Heart: Namukku Paarkkan Munthiri Thoppukal



Courtesy: youtube.com
I was 10 when I first watched this movie - I hated Mohanlal, Shari, Thilakan and the lady who played the role of Thilakan's wife. I thought Mohanlal was a man with filthy thoughts. I didn't understand how Shari could ever like this man with dirty thoughts. I was scared of Thilakan and didn't like the looks of the lady who played his wife.

I remember this thought was so strong that I never ever wanted to see the movie again. However, as fate would have it, at some point in my teens I was forced to watch this movie again as I had nothing else to do. At that age, I was confused why I was taking a liking towards the movie. I had hated it once and ideally I should be hating it again.

As an adult I keep making opportunities to see this lovely movie over and over again. It's like a refreshing breath of fresh air. The background score of the movie is one of the most romantic notes I have ever heard. Simply love it. What a remarkable work from music director Johnson!

The characters are sketched so well that I fall short of words to describe the perfection. It is much beyond excellence. The movie is an adaptation of the K.K Sudhakaran's novel Namukku Gramangalil Chennu Raparkkam. I haven't read the book but the adaptation is extremely beautiful.

Romance lingers in each and every scene of this movie. I am sure everybody would agree that there is romance even in the title - Namukku Paarkkan Munthiri Thoppukal! (let us go dwell in the vineyards). The dialogues are awesome. The Song of Songs from the Bible has been used magnificiently - it's brilliant!

This cinema narrates the story of Solomon who falls in love with the girl next door - Sofia. This will be among those very few tales where viewers will neither seek an explanation on why Sofia gets noticed by Solomon from the very first time he sees her, nor would they simply dismiss it off as the unexplained phenomena of love at first sight.

Solomon is the ideal man a woman would fall in love with. But the beauty is that scene after scene he surprises you. Mohanlal has blown so much life into the character that you won't, for even a second, term Solomon to be someone you would only find in books. He is ideal and at the same time appears extremely realistic. I am not sure if all guys would want a lady like Sofia in their life. But I would definitely vouch that all women should be like her. No matter what circumstances you are in, I have always believed that women should be cautious, strong, bold and extremely courageous.

The story has such a natural flow. It gives you glimpses on how dramatic real life events can turn out when you have your mind set to achieve something. Each time you feel you've crossed a hurdle you realise you are next to a bigger one. And finally when you cross them all, there may still be loose ends which you can tie up after a period of time. But, you have peace in your eyes and soul that you have done the right thing. I am so glad that the climax is the way it is - no forced tragedy here - almost a trend that was followed in the 80s.

Namukku Paarkkan Munthiri Thoppukal is backed by a powerful cast. Each and everyone of them have done a good job. But it would be unfair without a few special mentions. Honestly, I have never quite preferred Mohanlal for a Christian character, but he is so perfect as Solomon that I wouldn't picture anybody else playing the role. Paul Pailokkaran (Sofia's stepfather) is a disgusting character. Somebody you would dread having even as an occasional visitor - leave alone family member. That's exactly what Thilakan makes you feel. When you see both of their performances you know exactly why they are held with so much of esteem. Sofia's role demands a lot of subtle expressions. I love the way Shari has played Sofia - she has done an excellent job! And oh yes! I did come to realise why the lady who played Thilakan's wife looked the way she did in the movie.

This movie from the 80s can make you smile, cry, giggle and leave you feeling totally awe even today - no matter which generation you belong to. Namukku Paarkkan Munthiri Thoppukal is a great example why P. Padmarajan is still alive in our memories even after 23 years of his demise; it explains why he is considered a master at his art. My salutations to this maestro of Malayalam cinema!

Monday, 27 January 2014

Ammukutty – A Character Study

Courtesy: www.youtube.com

Malayalam movies from the 80s have always found a special place in my heart. Those were the pictures that I grew up watching. Thanks to Asianet Movies and youtube.com, I get to see many of those movies yet again. Now, as an adult, I see them at a much better level of understanding than in the past. It was the other day that my fingers ceased taunting the remote control when my eyes recognized scenes from one of my old favorites – Aalkoottathil Taniye

As a child, my cherished memories of the movie were the song onnanam oonjal (that song was full of swings - I love swings) and Ammukutty - the character portrayed by Seema. Ammukutty was someone whom I had cherished for a very long time. With a smile I realized that she took a cozy corner of my heart owing to the allimalar kannil song sequence and a few scenes which she shared with the little boy named Babu.

As I watched the movie, I wondered why Ammukutty never made it to the tip of anybody's pen terming her as one of the powerful women characters that was portrayed in Malayalam cinema. I hear that the movie, in its time, was not a commercial success. Probably that was the reason. Or, probably it was because she is not the kind you would term as extraordinary. Whatever be the reason, I was truly inspired by Ammukutty. 

Ammukutty, an orphan and an elementary school teacher by profession, is portrayed as a free-spirited character within the social parameters. She is so full of life and absolutely content with what she has. I loved her wit and subtle sense of humor. She is the kind who can effortlessly and instantly make you smile on a day that has gone really bad for you.

While we watch the movie we can sense the unconditional love she has for her maternal cousin Rajan, the character potrayed by Mamootty. At the phase where she has to let go of her dreams of sharing a life with him, I couldn't help but think why Rajan never understood her underlying message. Yes, she vouched for him to embrace the great things that came his way. Yes, she gave in to his father’s viewpoints of why she should let go, offering not one word of defense for herself. The character is designed and played so well that I could clearly understand her thoughts. She had done her share for their life together and she was in no way going to hint or make him do his part. She completely left that to him. Whether it hurt him or not, he messed it up.

I loved the part where she looks Rajan in the eye and says that she had never cursed him and that she would, if she felt that his son wasn't cared for. Her sacrifice was for him to get a good life and if he couldn't do his share to keep it going, it would put her sacrifice to shame.

I could so relate to her when she loses her cool with Rajan's wife Nalini, who tried repaying the money she had spent on Rajan's post-graduation. Values and goodwill when weighed on the monetary scale alone, can act like spark on kerosene.

I'd like to courteously bow down in front of M.T Vasudevan Sir for shaping up Ammukutty's character with so much of thought and care. I'd also like to congratulate Seema for playing the role so well. I loved Ammukutty for her strength, her resolve, her content way of life, her forgiveness and her broad mindedness. Ammukutty is a reminder that you don't have to do huge things to be powerful. Making a difference in one person's life and bridging differences to strengthen relationships; it's all an act of power - of strength. It is the kind of power that usually goes unnoticed and unrecognized. Think about it – Ammukutty can be your mother, your mother-in-law, your sister, your brother, your father, your friend; just about anybody. Recognize that power – that in itself is the greatest form of gratitude that you can give him or her.