Showing posts with label Malluwood. Show all posts
Showing posts with label Malluwood. Show all posts

Sunday, 29 March 2015

Ennum Eppozhum: Speechless...




Courtesy: ytalkies.com





Story: 

Courtesy: uncyclopedia.wikia.com

Cast:
Courtesy: proboards.com

Cast Performance: 
Courtesy: imgarcade.com

Dialogues: 
Courtesy: imgkid.com

Music:
Courtesy: artisanpiecesgallery.com

Core Message:
Courtesy: google.in


A note to all those of you who felt 'C'mon, it wasn't that bad'

Request you to kindly watch Sathyan Anthikkad's T.P Balagopalan M.A, Sanmanassullavarkku Samadhanam, Nadodikkaattu, Pattanapravesham, Sasneham, Thalayanamanthram, Sandesham, Veendum Chila Veettukaryangal, Manassinakkare, etc. and think again.

THE END.


Saturday, 9 August 2014

Wishing Anjali Menon Success Greater Than Bangalore Days...

Courtesy: muyals.com


Here I am trying to write about Anjali Menon’s latest flick, Bangalore Days; thinking what do I write? What is there that nobody knows? In fact, owing to the very many excuses that my life is tagged to at present, I am probably among the last of the malayalee crowd to have seen the movie. There are people who have called me, singing in their praises and enquiring why I haven’t written about it yet. And most of them were shocked to realize that I hadn’t even watched it.

Every dog has a day and last weekend my bone came by in the form of a movie ticket to watch the much celebrated Bangalore Days. I must say, the first impression was a ‘whoa!’ blended with some amount of shame. I am settled in Bangalore and I was surprised to notice that majority in the hall comprised of the local Kannada crowd. I think that explains both of the above expressions.

Now, coming back to what do I write; I think I’ll start with the director of the movie – Ms. Anjali Menon…

If somebody were to ask me if I knew who Ms. Anjali Menon was , I’d say, “Well, although I haven’t met her and do not know her personally, I know her through her movies and her interviews. And from what I have seen and heard of her, I definitely wish I knew her personally, because that is how warm she comes out to be.”

Anjali (if I may call you by your first name) – this one comes as a heart-felt opinion of your Bangalore Days. Ideally, I’d prefer doing this over a coffee table with propped up cushions; but since that’s not possible, I’m using my blog.

Honestly, Bangalore Days made me laugh and giggle. I did feel light and nice after seeing the movie. Even though I am part of a world of close-knit cousins, I got envious of the trio in your movie. The on-screen chemistry between them is awesome. In an interview with manorama online, I read about how you got Nazria, Dulqar and Nivin to spend time with each other long before the filming of the movie. That homework did really pay off. I did feel that Aju and Kuttan are the kind of brothers that any girl would be lucky to have. I am also glad that you chose portraying cousins, because there is no set expectation from cousins. It is a relationship that needs nurturing and I am aware that not everybody is lucky to have a strong cousin network.

Now let me tell you what I what I loved about the movie. Fahad has been on my fav list ever since he made a come back in Kerala Café. I am sure he has pulled off Shivdas according to your expectations. It was great to see Nitya Menen on screen after quite a while now. She is such a cool breeze. I loved Sarah too, especially her voice. It was light and silky and yet resonant enough for a radio jockey. I also liked the way you used a radio jockey to introduce Bangalore city and occasionally to propel the movie forward. According to me, that was a lovely idea and it blends well with Bangalore city. Dulqar, oh my God, is gifted with such a fantastic screen presence. Hope it remains that way. Although, I am almost partial towards Fahad, my eyes found its way to Dulqar in combination scenes! I firmly believe that my date also shares the same opinion. Although his eyes were on me throughout the movie, Dulqar's voice would make his head turn towards the screen. Yes, my two-year-old is a great Dulqar fan. I also heard that the entire bike idea was a change in the script. You would be pleased to hear that those bikes fetched Dulqar a huge amount of brownie points from my little boy. Needless to say, I am eternally grateful for those bikes.

I enjoy movies and when I come out happy, I feel nice. On our drive back home, there were a couple of Kuttan's expressions that made my friends and I to laugh out loud. We also talked about how ridiculous it was for people to think that this movie has anything to do with feminism.

Though we had conversations about the movie, I noticed however, that it didn't last long.

After the initial euphoria, when my head began gathering points to write out a review, I began catching certain loose ends that I wished were tied out. Now, I’m really missing the coffee table and the welcome distraction a few bites of goodies can offer…

I'd start by doing a character study…

Divya (Kunju), in my understanding is basically a nice girl personality. She is somebody who would churn it out too many times in her head before she hurts anyone. I can understand giving in to the idea of marriage; feeling excited about it clubbed with the fact that she’ll be in Bangalore, at regular intervals. However, with the limited outspokenness that she has, I wonder why she didn't make it clear that she wants to study post marriage, especially when she had the opportunity when she met Shivdas for the first time. OK, we’ll let that pass. They get married and she is dealing with someone who doesn't even bother to smile at her as much as he did when they first met – no conversations, no physical bonding; he doesn't even want her to cook for him or any of those chores for that matter. Acceptable. But, no silent tears? No effort from her end to talk this out? I fail to understand why she waited for him to leave the city, to hang out with her cousins. I gather, a practical approach would be that she would have kept seeking permission which gradually would have matured into announcements that she would be going out. Correct me if I am wrong; but in my opinion, she was intended to be portrayed as realistic but ends up being far too idealistic.

Kuttan, I perceive, is a typical character. Even though, the looks, talks, mind works and mannerisms suit the likes of a 10th standard kid, I accept that. There are people like that. I have met such people and know such people. Even if I wouldn't have, the world is full of different kinds of people. It’s fine to define a typical character. But, the antakshari part was way too much for me to gulp! No man of that age would speak of that as an achievement. Sarcasm or even a casual statement would have sufficed to give it a realistic tone, don’t you feel?

I am glad how things turned out eventually for Shivdas and Divya. But what kind of overwhelming moment would have pushed a guy like him towards the idea of getting into an arranged marriage? I would have understood a rebound love affair or an eventuality as a result of a one night stand - but an arranged marriage? I am not of the opinion that only girls end up getting pushed by the family. But in Shiva’s case, he’s not even living with his parents. They are not even anywhere in his near vicinity. Clubbed with that fact, a guy with his approach to life, would do great many things to ward off such an event, don’t you think? So eventually, even if things ended up this way, don’t you feel you owed the script a flash back of some form; if not initially, at least when talks of a break up were on the roll?

It was on purpose that I chose not to highlight Meenakshi. I don't know how many air hostesses would remember a passenger that had taken a flight in the past. The scenes around her, according to me, made absolutely no sense. If it were for the comedy in the flight, a cameo appearance was all that was required.

Also, why would a film maker like you, who believes in coming up with a solid story line, want to depend on clichés? Last minute realizations of the heart… an outspoken lady who refuses to take hints – the proposal has to come out in black and white. The usual mother hurdle; wouldn't the guy's complexes suffice? The accident during the race is another. I don’t intent telling that these are things that can’t happen. It’s all about moving from the good to the great movie cadre.

Anjali, my idea is not to spoil the party. I heard in one of your interviews about your dream to get to the zone of a great film maker. You certainly have great potential and as far as I understand, you are a positive human being - the right combination that the Malayalam film industry needs today. My hope is that you won’t fall prey into the comfort zone that hype creates. Challenge yourself to manicure and outdo each new movie from the previous ones.

I noticed the massive marketing that was done for Bangalore Days. It’s highly appreciative. My dream for you is for your films to gain popularity across states and oceans on the sheer strength of a flawless script, beautifully developed characters and fantastic performances. A point in your career when you device innovative marketing styles simply to give your movie wings.

As a closing note, if anything what I have written has made you picture me like an annoying critic with an evil caricatured face; smile, think of a light moment and re-read it like how Kuttan reads his father’s letter the second time.

Thursday, 17 July 2014

Rewinding to April 18, 1984

Courtesy: youtube.com


A short story written by a friend, set me smiling, taking me back to those days of childhood bliss. April 18! The very name set me on a pleasant walk down memory lane...

It was a weekday afternoon in Dubai. I was probably 6 or 7 years of age, back then. The lad, clad in the tight shirt and bell bottom pants whom we children called cassette uncle, was at the doorstep handing out a cassette with great confidence.

"Chechy, it is Balendran Menon's", he advertised to mummy.

The look on his face told me instantly that mummy would surely rent out that one. I still remember mummy's face brighten up on reading the title written out bold across the white sticker on the tape.

"Oh! It's April 18. Heard of this one. Is it good?", asked Amma maintaining her poise.

"It's a hit!", he exclaimed.

Money out. Cassette in. Business done. Cassette uncle gone. Door shut.

Our VCR was still new and playing cassettes at home was a novel idea. An excited me asked, "Shall we watch it Amma?"

The request was declined. My mother retired for her afternoon nap after having declared that we would watch it during dinner. That verdict meant that the movie should be a good one. The movies tagged as good ones would be previewed only with the whole family in sitting. The ones that weren't a sure shot had chances of going through a preview of sorts. The pretext that flew in the air at such instances were that, the brief screening was to understand the cast and crew, etc.

However, that afternoon I decided to take a chance. Having sneaked into the bedroom to make sure my mother was asleep, I loaded the VCR with the cassette. For the benefit of the new gen, cassettes had to be re-winded so that you could watch a flick from the beginning. But since childhood adventures had time constraints, I simply opted to play it. I saw a vertical white sari and a guy (I presumed he would be the hero) sitting on the floor tugging at it, saying, "Ninte oru samayam". Since he didn't look familiar, my adventurous spirit fizzed out. The cassette went back into its cover and I probably opted for the afternoon nap.

Over tea, mummy shot out the good news about the movie we got lucky with. I still don't know how she did it with such calm. "Oh then we'll say our prayers earlier than the usual time and watch it during dinner.", declared daddy. Now it got exciting again. Something to watch during dinner time - something other than the boring 10 'o' clock news.

Prayer time - The cassette was set to rewind while we prayed. I could hardly pray. My ears were tuned, waiting for the feeble 'tak' sound that the machine would give out indicating that the cassette was done rewinding. And in my opinion, there was an ocean of prayers yet to be chanted. And then, daddy had to shower - such a long way to go...

Finally, after what seemed to me like an eternity, it happened! The play button was given command...

Daddy and mummy giggled and laughed. They commented. They agreed. They disagreed. And me? I mimicked them - I didn't understand much whatever it was that was happening on screen. I liked a dance though and swore I'd perform that on stage once, with the same costume. The movie should have been a good one because mummy and daddy seemed to like it. A few hours later, an uncle and aunty hugged on screen and something got written across their face. The movie had ended - thank God I understood that much! "Very nice movie.", said mummy; and daddy nodded in agreement. I also agreed, completely in awe of my parents - God! They know everything. They know a good movie from a bad one. Now that they said it, I was sure that the one we just saw was a good one.

I don't remember what happened of cassette uncle and I don't know how this cassette got stranded at home. But, I do know that I got habitual of seeing this movie time and again. Gradually, I realized that it was indeed a feel good movie. I learned that it wasn't Balendran Menon's movie, but Balachandran Menon's movie. I learned the dance and the song. I knew all the dialogues by heart - scene by scene. I even wished I was playing the role of Shobana. Never saw the movie after I left Dubai in 1993.

Watched the movie on YouTube again this week. Here I was watching this flick 30 years later, giving out each and every one of those dialogues - scene by scene - as and when they appeared on screen. The diction, to my surprise, was strikingly in sync with that of the actors. Loved the experience!

Today, I understand that the movie is indeed a good one. Simple story line and neat performances.

April 18 narrates the tale of Sub Inspector Ravikumar Pillai, played by Balachandran Menon himself. The film balances out the personal and professional life of this policeman. It's all simple and realistic in this one - no strain.

This movie debuted a 13 and half year old girl to play the role of the SI's wife - Shobana. And what an impressive performance it was for a 13 year old! Another actor worth mentioning is Unni Mary as Rajamma. I admit that I haven't seen all of the movies she's acted in, but, from the few that I have seen I think this was a solid performance - a typical Christian house wife of the times. Like I said before, each and every actor has done justice to their role. Whether it was Adoor Bhasi, Venu Nagavalli, Bharath Gopi, Adoor Bhavani, Sukumari or even the junior artists - I wouldn't imagine anybody else in the roles they played.

By now, I am hoping you would have understood that the movie is a personal favorite for no phenomenal reason. But as I write this post, my mind does ponder on whether I want to mark any part of the movie as a favorite scene...

As a child I didn't understand anything more than an uncle addressing his wife as kutta... kutto... and I really liked the feel of it.

As a teenager, I thought I understood all of it. The term navamukulangal, often came to my mind like a flash card and set me giggling whenever I attempted writing out a speech, back in those days. I refused to believe that it was Unni Mary who played Rajamma because I didn't like Unni Mary but I liked Rajamma. I completely agreed when she tells her husband, "Penungalkkum oru vela vendayo?" I loved the scenes where Ravikumar teases his wife, reprimands a child at the police station and felt wow when he resigns from his duties. Whenever the air conditioner was switched on, I even tried sniffing the air to see if it does have a stink.

As an adult, I understand that I hardly understood anything in my teens. The final court scene stole my heart. When Ravikumar says, "Separate us.", I felt touched, because I knew what he meant and the explanation he gives didn't just justify my thoughts but was extremely heartfelt.

The beauty of April 18 is that it doesn't show a flawless marriage at any point and yet we vouch for them as a couple. 


Priyappetta Shri. Balachandran Menon-nu Oru Thuranna Kathu - one of the short stories by Mr.Mahesh Ravi in his recent collection Ethir Disha was what set all these memories rolling. Thank you Mahesh Ravi for bringing in so much of nostalgia...


Also Read:


Monday, 16 June 2014

Get High with Idukki Gold

Courtesy: www.kerala9.com



A story depicting the lives of 5 men. A movie crafted out of that story is expected to strike a chord among the men folk. While it does that, if it doesn't shirk the women crowd, it should be tactfully made, isn't it? I watched this feature film on a bad day; it left me smiling and spirited enough to embrace the rest of the day.

Idukki Gold makes you laugh out loud, want to meet this gang that has no name, drive down to Idukki, get in touch with your old buddies and revisit your school days. There are no twists or turns in this one. The movie takes a natural flow. Lots of memories and moments set in picturesque frames sewn together beautifully with dialogues that are silly fun - that's Idukki Gold for you!

This motion picture depicts the lives of 5 great school friends - Michael, Madan, Antony, Ravi and Raman. The frames keep switching between their school days and present lives. The film begins with a middle aged Micahel trying to get in touch with his school buddies. A reunion of sorts - the story is as simple as that. I couldn't help but notice, that the reunion was not over done - its very male and rightfully so.

Like I cited before, the central characters are five men; they are five extremely different characters. The actors selected to play these roles are really appreciative. In my opinion, all five of them have done ample lot of justice to their character. I liked Maniyanpilla Raju as Madan the most. There was something unique about the way he delivered this role as compared to many others he has done during his acting tenure.

The scenic beauty that's captured on camera is remarkably fascinating. I felt Idukki should be my next holiday destination. Another breath taking frame was enroute Alleppey - extremely pleasant! I liked the different chapters the movie was subdivided into. 'Plastic Nirodhikannam' is a personal favorite. What kept me glued to the movie, however, were the dialogues - simple and witty.

Talking about dialogues, the one that I'd love to quote is the last dialogue delivered by Michael (played by Pratap Pothen). He says, "It's not about drugs, it's about friends." And that is so true! You can replace the drugs with just about anything - the batre dabba tea, the ice stick lollies, the forbidden mangoes, the bread masala that we had that rainy day, etc. I am sure most of us would have, at some point in time, made a statement on the lines of, "I've never tasted ____ better than the one we had then." Have you ever tried guessing the reason? The special ingredient was never in that plate - it was around the table! 

Usually, 'those were the days' are days we refer to when we recount our college or school days. Those days are episodes of our life that offer a great source of respite once we enter the rat race. On a tired day, take two minutes to close your eyes and mentally rewind those moments. I bet, you'll catch yourself laughing, or at least beaming and sighing with pleasure. Of late, meeting old friends has more or less become a virtual enjoyment. Some are gifted with a little more than that. Whether one finds it practical or not to meet old buddies, it is definitely something that everyone looks forward to. Meeting old friends may not be the highest of your priorities. But if and when you are fortunate enough for any such event, it leaves you feeling so much refreshed and mighty young.

A simple movie fulfills simple expectations. Watch Idukki Gold simply to feel light, to unwind, to get nostalgic, to walk down memory lane and recollect those innocent pranks and carefree days!




Thursday, 5 June 2014

How Old Are You: Inspiring

Courtesy: nowrunning.com

Manju Warrier back on screen, director Roshan Andrews, writers Sanjay and Bobby – all this united with the teasers and trailers of the movie were reasons enough for me to book tickets for How Old Are You. I had my fingers crossed hoping that the movie wouldn't be a lazy attempt with the makers simply trusting the movie would do well since it was launching Manju back after 14 years. Like always, I entered the cinema hall hoping for the best.

Honestly, I was disappointed with the first half. Everybody was doing their part well but something was amiss. It lacked the ability to get me hooked to the movie. I was just watching. In my opinion, it should have focused on Nirupama's (enacted by Manju) life, her chores, her thoughts etc., rather than the careless attitude of government officers in general.

The second half, however, took me by surprise. It was a brilliant piece of work which dramatically changed my opinion about the movie. I smiled, I sobbed, I got excited - I understood Nirupama Rajeev.

Nirupama, a UD clerk at the Revenue Department, is a wife and a mother who leads a very normal life; a life as per the standards set by our society. There is a change in the mundane routine of Nirupama's life after the President of India visits her teenage daughter’s school. Her life takes a different route when her husband decides to migrate to Ireland with their daughter - leaving her behind.

Manju Warrier has given a scintillating performance as Nirupama Rajeev. I read that the story was not written with her in mind. I am glad however, that the movie finally was ultimately meant for her. She did a fabulous job. The slow transition from the bored Nirupama who simply got herself adapted to the circumstances that she is in to the high spirited lady that we see in the climax - wonderful performance!

Saying that, I am glad I don't have to review this movie saying, go watch it just for Manju. The movie is backed with good performances by all the other artists, especially Kunjacko Boban. During his second innings in the film industry, he has been quite good with the movies he chooses. He has also proved that he can successfully carry a movie on his shoulders. During this phase of his career, I am amazed that he took up the role of Rajeev Narayanan. After all, How Old Are You is a woman oriented movie. Kunjacko has delivered the role of a more or less chauvinist personality with great finesse. The balance he brings about is very appreciative. Rajeev Narayanan speaks volumes to the men of our society. He isn’t a complete chauvinist. He is an example that you don’t have to always be a chauvinist in the true sense to be a negative influence on the woman in your life.

Another aspect I liked about the movie is that it is not sex-biased. There are so many male characters in the movie that are instrumental towards Nirupama’s transition.

How Old Are You portrays beautifully how things fall in place once you get involved in something you like – something that is worthy of you. Age should be the last thing you should be bothered about when you get an opportunity to do something you believe you can.

Like I said before, the first half may be dull but thankfully, the cinema ends on a highly inspiring note. Go watch it!

You may also be interested in: Reminders from Nirupama Rajeev

Tuesday, 6 May 2014

Mammootty in a Comic Role

Courtesy: en.wikipedia.org/

Once they became established actors, Malayalam movies for a long time, were termed as either Mammootty's movies or those of Mohanlal's. They, undoubtedly, have had quite a tenure in the Malayalam film industry. "Mohanlal's a versatile and natural actor... Mammootty can't do comedy." are among the zillion comments that I have heard in my growing up phase.

I remember that it was more than a mere oft repeated statement - it was a belief. This mental verdict also discussed that it was Mamootty's sophisticated looks that failed him when it came to comedy. I tell this with conviction because when I watched Pranjiettan and the Saint, I caught myself commenting that Mammooty has improved so much - he's done great comedy.

Was that actually true? Was Mammooty really bad at comedy all along?

In his interview with Johnny Lukos (Manorama News), he mentioned that he was known for mimicry and stuff in college and that this impression about him is a by product of the fact that in most of his earlier films itself he had family, kids, etc. Probably...

For fun sake, I took a peek to check if Pranjiettan was indeed his only comedy that I ever enjoyed. My mental exercise gave me quite a few movies which I thoroughly enjoyed. Since this isn't a research attempt, I did not dig in more than I had to. So, here's discussing a few of Mammootty's comic appearances which I have found hilarious...

1. Film: Nandi Veendum Varika
    Year: 1986
    Director: P.G Vishwambaran
   Character: Mohandas (A parallel college lecturer turned Sub Inspector of Police)
I couldn't find how this film fared at the box office, which probably is in itself an evidence to the fact that it didn't do all that well. But, his performance is undoubtedly excellent. I have memories of this movie giving me ample to laugh when I was young. I watched it again recently to recheck. Mammooty's subtle expressions did its magic...





2. Film: Kottayam Kunjachan
    Year: 1990
    Director: T.S Suresh Babu
   Character: Title Role (A thug who strives to live a good life)

Kunjachan has made me laugh when I was 13 and he makes me laugh each time I see the movie. His dialogue delivery, mannerisms and even fighting techniques in this movie are hilarious!




3. Film: Rajamanikyam
    Year: 2005
    Director: Anwar Rasheed
   Character: Bellary Raja (an illiterate but extremely rich and gaudy business man)

This movie is extremely stereotype and is absolutely predictable. If it grossed a good 27 crore, the main contributing factor would be the witty dialogues and Mammooty's performance. Bellary Raja, in my opinion, would have fit Mohanlal effortlessly. However, I do believe that the profit the movie made owed a lot to the fact that the crowd judged it as an exemplary performance solely because it came from Mamootty.




4. Film: Loudspeaker
    Year: 2009
    Director: Jayaraj
   Character: Philippose aka Mike (an extremely loud simpleton with a splendid sense of       humor)

This movie has barely few instances of comedy owing to situations. In my opinion, Philippose aka Mike, is not just the backbone of the movie; he is what makes you smile and chuckle. He makes you want to believe in the simple things life brings your way.




5. Film: Pranjiettan and the Saint
    Year: 2010
    Director: Ranjith

   Character: C.K Francis aka Aripranji (a successful buisness man based in Thrissur)

I'd like to wind up my post with my personal favourite. Out of all the Mammootty starrer comedies that I have seen, the one that I have loved the most so far is Aripranji. I love the way Mammootty has balanced out the dignity of a high class business man and at the same time portraying all those insecurities he has within him. Love the expressions - phenomenal performance!



Neither am I part of anybody's fan club nor am I biased about either Mammootty or Mohanlal. I am of the opinion that both of these superstars have had their share of successes and failures. This post is simply a self reminder that one may never want to judge a book by its cover... 

Friday, 14 March 2014

Movies That Touched My Heart: Namukku Paarkkan Munthiri Thoppukal



Courtesy: youtube.com
I was 10 when I first watched this movie - I hated Mohanlal, Shari, Thilakan and the lady who played the role of Thilakan's wife. I thought Mohanlal was a man with filthy thoughts. I didn't understand how Shari could ever like this man with dirty thoughts. I was scared of Thilakan and didn't like the looks of the lady who played his wife.

I remember this thought was so strong that I never ever wanted to see the movie again. However, as fate would have it, at some point in my teens I was forced to watch this movie again as I had nothing else to do. At that age, I was confused why I was taking a liking towards the movie. I had hated it once and ideally I should be hating it again.

As an adult I keep making opportunities to see this lovely movie over and over again. It's like a refreshing breath of fresh air. The background score of the movie is one of the most romantic notes I have ever heard. Simply love it. What a remarkable work from music director Johnson!

The characters are sketched so well that I fall short of words to describe the perfection. It is much beyond excellence. The movie is an adaptation of the K.K Sudhakaran's novel Namukku Gramangalil Chennu Raparkkam. I haven't read the book but the adaptation is extremely beautiful.

Romance lingers in each and every scene of this movie. I am sure everybody would agree that there is romance even in the title - Namukku Paarkkan Munthiri Thoppukal! (let us go dwell in the vineyards). The dialogues are awesome. The Song of Songs from the Bible has been used magnificiently - it's brilliant!

This cinema narrates the story of Solomon who falls in love with the girl next door - Sofia. This will be among those very few tales where viewers will neither seek an explanation on why Sofia gets noticed by Solomon from the very first time he sees her, nor would they simply dismiss it off as the unexplained phenomena of love at first sight.

Solomon is the ideal man a woman would fall in love with. But the beauty is that scene after scene he surprises you. Mohanlal has blown so much life into the character that you won't, for even a second, term Solomon to be someone you would only find in books. He is ideal and at the same time appears extremely realistic. I am not sure if all guys would want a lady like Sofia in their life. But I would definitely vouch that all women should be like her. No matter what circumstances you are in, I have always believed that women should be cautious, strong, bold and extremely courageous.

The story has such a natural flow. It gives you glimpses on how dramatic real life events can turn out when you have your mind set to achieve something. Each time you feel you've crossed a hurdle you realise you are next to a bigger one. And finally when you cross them all, there may still be loose ends which you can tie up after a period of time. But, you have peace in your eyes and soul that you have done the right thing. I am so glad that the climax is the way it is - no forced tragedy here - almost a trend that was followed in the 80s.

Namukku Paarkkan Munthiri Thoppukal is backed by a powerful cast. Each and everyone of them have done a good job. But it would be unfair without a few special mentions. Honestly, I have never quite preferred Mohanlal for a Christian character, but he is so perfect as Solomon that I wouldn't picture anybody else playing the role. Paul Pailokkaran (Sofia's stepfather) is a disgusting character. Somebody you would dread having even as an occasional visitor - leave alone family member. That's exactly what Thilakan makes you feel. When you see both of their performances you know exactly why they are held with so much of esteem. Sofia's role demands a lot of subtle expressions. I love the way Shari has played Sofia - she has done an excellent job! And oh yes! I did come to realise why the lady who played Thilakan's wife looked the way she did in the movie.

This movie from the 80s can make you smile, cry, giggle and leave you feeling totally awe even today - no matter which generation you belong to. Namukku Paarkkan Munthiri Thoppukal is a great example why P. Padmarajan is still alive in our memories even after 23 years of his demise; it explains why he is considered a master at his art. My salutations to this maestro of Malayalam cinema!

Monday, 27 January 2014

Ammukutty – A Character Study

Courtesy: www.youtube.com

Malayalam movies from the 80s have always found a special place in my heart. Those were the pictures that I grew up watching. Thanks to Asianet Movies and youtube.com, I get to see many of those movies yet again. Now, as an adult, I see them at a much better level of understanding than in the past. It was the other day that my fingers ceased taunting the remote control when my eyes recognized scenes from one of my old favorites – Aalkoottathil Taniye

As a child, my cherished memories of the movie were the song onnanam oonjal (that song was full of swings - I love swings) and Ammukutty - the character portrayed by Seema. Ammukutty was someone whom I had cherished for a very long time. With a smile I realized that she took a cozy corner of my heart owing to the allimalar kannil song sequence and a few scenes which she shared with the little boy named Babu.

As I watched the movie, I wondered why Ammukutty never made it to the tip of anybody's pen terming her as one of the powerful women characters that was portrayed in Malayalam cinema. I hear that the movie, in its time, was not a commercial success. Probably that was the reason. Or, probably it was because she is not the kind you would term as extraordinary. Whatever be the reason, I was truly inspired by Ammukutty. 

Ammukutty, an orphan and an elementary school teacher by profession, is portrayed as a free-spirited character within the social parameters. She is so full of life and absolutely content with what she has. I loved her wit and subtle sense of humor. She is the kind who can effortlessly and instantly make you smile on a day that has gone really bad for you.

While we watch the movie we can sense the unconditional love she has for her maternal cousin Rajan, the character potrayed by Mamootty. At the phase where she has to let go of her dreams of sharing a life with him, I couldn't help but think why Rajan never understood her underlying message. Yes, she vouched for him to embrace the great things that came his way. Yes, she gave in to his father’s viewpoints of why she should let go, offering not one word of defense for herself. The character is designed and played so well that I could clearly understand her thoughts. She had done her share for their life together and she was in no way going to hint or make him do his part. She completely left that to him. Whether it hurt him or not, he messed it up.

I loved the part where she looks Rajan in the eye and says that she had never cursed him and that she would, if she felt that his son wasn't cared for. Her sacrifice was for him to get a good life and if he couldn't do his share to keep it going, it would put her sacrifice to shame.

I could so relate to her when she loses her cool with Rajan's wife Nalini, who tried repaying the money she had spent on Rajan's post-graduation. Values and goodwill when weighed on the monetary scale alone, can act like spark on kerosene.

I'd like to courteously bow down in front of M.T Vasudevan Sir for shaping up Ammukutty's character with so much of thought and care. I'd also like to congratulate Seema for playing the role so well. I loved Ammukutty for her strength, her resolve, her content way of life, her forgiveness and her broad mindedness. Ammukutty is a reminder that you don't have to do huge things to be powerful. Making a difference in one person's life and bridging differences to strengthen relationships; it's all an act of power - of strength. It is the kind of power that usually goes unnoticed and unrecognized. Think about it – Ammukutty can be your mother, your mother-in-law, your sister, your brother, your father, your friend; just about anybody. Recognize that power – that in itself is the greatest form of gratitude that you can give him or her.

Monday, 20 May 2013

Mumbai Police: Superb Plot and Stunning Performances





It is appreciative when cinema has the capacity to keep you on the edge while you watch it. Mumbai Police exceeds this expectation. It has the ability to travel all the way back home with you. The feature film encourages debates and discussions. It keeps conversations alive in the car.

The story gave me company in solitude too. It's an  amazing feeling. I mentally rewind the movie and every piece of jigsaw puzzle fits in perfectly. You have answers to every comment and/or questions that may have cropped up while you were watching the movie. There were scenes, for instance, when I felt that Rahman was all stiffened up for no reason. There were times when I thought Prithvi was not actually up to the mark. There were scenes I believed should have been re shot. However, the climax waves a magical wand and all the suggestions and questions I had vanished. I am glad everything just fell in place perfectly. That’s a great creative stimulation and it calls for a golden star.

Bobby and Sanjay seem to have done a lot of writing and rewriting before arriving at the final version. The story evidently looks to be one which has had a lot of effort and thought poured in. I applaud them for their art of storytelling. Their willingness to venture into different genres also deserves special mention. Hats off to the duo!

Prithviraj has given a splendid performance in Mumbai Police. The script demanded ACP Antony Moses to shoulder two different characters and Prithviraj does both an ample lot of justice. While watching the movie, I mentally wrote a lot of corrections for Prithvi. But, like I mentioned earlier, the mental rewind erased all those corrections and gave the guy an A+. The grade is not just for the performance. This role is verdict for the fact that he chose to be an artist rather than a star.

Among the cast, another actor who deserves special mention is Rahman. Commissioner of Police, Farhan is absolutely safe in Rahman’s hands. I like the controlled acting technique he adopted for this role. He has definitely gotten into the character’s skin. The subtle expressions he displayed, at times, offer to make you wonder if he may be a wolf in sheep’s clothing. Personally, I would rank his expression in the climax scene as the best – it spoke a zillion words.

Exemplary performances, an engaging movie and good afterthoughts - all this translates to fabulous direction. Roshan Andrews gets it right with Mumbai Police. Hats off on this project!

Did I notice any flaws that I couldn't erase with all the mental rewind? There is this scene where ASI Sudhakaran (Kunjan) shares his sentiments about his profession and uniform. The scene, according to me, didn't seem necessary. Hima Davis (Rebecca) has just a few scenes which didn't deserve a huge amount of acting skills. Nevertheless, she fared poorly even for the little she had to deliver. I do see potential in Aparna Nair, but, she also has a long way to go. Aparna, in my opinion, needs to ease out a bit and be more at home in front of the camera.

It is a pleasure knowing that a movie is doing well. It gives the scope for a weekend outing. It is silly fun hoping that the movie won’t leave the theatre by the time I get to go watch it. There is a thrill in hushing friends and begging them not to reveal the story before you actually watch it. All this and if the movie is a well-crafted thriller – wow!

Many reviewed by word of mouth that Mumbai Police keeps the suspense but the climax lets you down. Some even asked me not to watch it. There were many others who claimed it to be a good movie. I decided to take the chance. I am so glad I did. Whether the climax is good or bad is but for you to decide. How would you know until you watch it? I’d say go for it!

I give the movie an 8/10.

Monday, 6 May 2013

Mammootty in 'Best Actor' : A Critical Casting Analysis

Mammootty as Mohan in Best Actor (2010). Image Courtesy: www.nowrunning.com
It was not until recently that I got to see the movie titled Best Actor which has Mammootty in the lead. He portrays the character of Mohan - a schoolteacher passionate about acting and aspiring to make a career in the movies. My intention here is not a movie review. Throughout the movie I had contradicting voices playing in the back of my head. Both voices were fighting over whether or not the lead role deserved Mammootty and/or vice-versa. So, here's taking you through my thoughts. Join me in eavesdropping on the conversation between the voices in my head...

Watching the scene where Mohan requests for a role from director Lal Jose.

Voice 1: Mammootty certainly deserves an applause for taking up this role. He’s doing a good job too...

Voice 2: You are right. Can't deny that. However, I kinda feel detached. Not sure why. I am just not feeling for the character - you know what I mean? I don't seem to be getting into the character's skin.

Voice 1: But the guy's doing such a good job - give him some credit.

Voice 2: I think it's his aura. We see or think Mammootty and we get this big star picture. He's doing it well but it doesn't quite sit well because at the back of our heads we feel… he is such a big star... what's he doing asking for roles?


Voice 1: I think you are being ridiculous. You being biased by any chance? Mohanlal did Udayanaannu Tharam - you didn't have a problem with that, did you?

Voice 2: Oh you are right. Good point! Mohanlal's also a big star and in that he portrayed the role of a person struggling to be a director… Nope never felt the same when I saw Udayanannu Tharam. In fact, I sighed with Udayan, got angry when he did, felt helpless with him and rejoiced at his victory. Then what may be the reason? I am certainly not biased. I love so many movies in which Mammootty was casted.

Voice 1: Relax gal! Let the movie go on. You are just judging too soon. May be you'll feel for Mohan too...

Voice 2: May be…

Watching the scene where Mohan's getting all that ‘gyan’ (knowledge) from Director Ranjith.

Voice 1: Ranjith's too preachy in this scene, ain't he?

Voice 2 (laughing out loud): This man's giving Mammootty gyan? He's casted him in many of his best movies? Imagine a Kaiyoppu, a Paleri Manikyam, Pranjiyettan and the Saint and then this gyan - takes my breath away (guffawing)

Voice 1: Oh c'mon grow up... Ranjith's talking to Mohan not to Mammootty.  You are misjudging.

Voice 2: Misjudging? I think I am being misled. I bet I even caught Ranjith trying hard not to give away a sly smile at the beginning of the scene.

Voice 1 (can't help grinning): Baah! You are nuts - all cracked up.

Watching Mammootty on the scooter in a green kurta.

Voice 1: Oh man - let the whole world debate on how old he is. He definitely has got the looks.

Voice 2: That's it! I think it's his appearance on screen. They should have toned down his complexion a bit. He looks too good looking for the role.

Voice 1 (annoyed): What's it with you today? Buddy, the guy is aspiring to be an actor and is trying very hard so it's justifiable that he keeps himself well. That's how aspiring actors are these days. Are you still in the 70s? Take a flight!

Voice 2 (still rationalising): That's not what I meant. Let me explain. He's a U P school teacher settled in a village. Not earning too much to buy the best sunscreens, does he? They could have given a realistic touch by toning down his complexion a bit. I am not saying he should look worn out - just not so perfect. It's not just the complexion. Look at his clothes. This green kurta looks like a Fabindia product. And my God! What's with that pair of sunglasses? It looks too expensive for a village school teacher, a responsible husband and father - all in one. See what I mean? It's kinda justifiable if he was a spendthrift or a guy with no responsibilities to shoulder.

Voice 1 (pondering for a while and then annoyed that may be the thought struck a chord): Humpf! Take a break woman - watch the movie for the fun of it, will ya?

Voice 2 (sigh): Ok…

Watching the scene where Mohan (Mammootty) meets Director Sreekumar (Sreenivasan) for the first time.

Voice 1: Look at that red jacket. Now that's an answer to your cynicism about his clothes.

Voice 2 giggles

Voice 1: Now what?

Voice 2: I can't help thinking that they portray him in bizarre clothes only in scenes where he goes to meet directors. There's a point in a way but... not really.

Voice 1: Awwww. Look at that scene. It’s taken so well. Touching!

Voice 2 (confused): Yea… no... I mean…

Voice 1: C'mon you can't be such a critic today…

Voice 2: It's executed well no doubt (Voice 1 smiles in
victory). It's just that… oh forget it. Maybe it's just that I've already heard and read that it's a good scene. I don't know... I think I'll watch it further before I decide.

Voice 1 (smiles): That's better!

Watching the scene in which Mohan is at the apartment with a bunch of young film makers.

Voice 1: Look at these guys! They look so thrilled that they get a chance to boss over a superstar for once... (laughs)

Voice 2 gives Voice 1 a 'gotcha' look

Voice 1 (frowning): What?!? It was just a joke. Don't be so picky.


Voice 2 (not taking eyes off the screen): Did I say anything at all?

Voice 1 grimaces and gets back to watching the movie.

Watching the scene where Mohan is being interviewed by a bunch of goons...

Voice 1: Look at him without an ounce of prejudice. Didn't he do it well?

Voice 2 is silent (all comments reserved) and stuck to the TV.

They both laugh at the comedies and are silent spectators to the unexpected twists that occur in Mohan's life.

Watching the scene with Mohan (Mammootty), Director Sreekumar (Sreenivasan) and Sreekumar's assistants. Towards the end of the scene…

Voice 1: Mamootty was amazing, wasn't he?

Voice 2: He's doing a good job. I am not denying that at all. But can you imagine him doing a bad job with this role ever? It is expected. He is a fine tuned actor. In the movie, each time he says that he's lost everything - I don't feel it weighing in me because of his super huge star image. I have great respect for Mammootty.  I can comprehend why he chose to do this one too. But the role just didn't merit him. Let's face it! He's too big for the role. Would you go to a surgeon when you have flu? Why would you want to?


Voice 1 (almost resigning): Ummm... guess you are right. An Indrajith could have done a great job. Or even better, a theatre artist could have done it and we would have swum with him to the depths of the character.

Voice 2: Finally you get it. That's exactly what I have been saying all this while. It has nothing to do with prejudice. I admire the guy's calibre. I don't even blame him for taking up the role. Martin Prakatt (the director) should have thought better – either with the way he built the character or with the casting.

The doorbell rings. My friend comes in and sees the credits rolling.

Friend: Which movie?
Me: Best Actor
Friend: Oh… How's it?
Me: It's... it's ok – good actually. They probably should have casted somebody else for the lead role instead of Mammootty...
Friend: Why? Hasn't he acted well?
Me: No it's not that. He's done a good job. Watch it and you'll know what I'm saying. :)